Since the 2016 election, a racial tension within white Evangelical churches has been made apparent. Donald Trump's election, for better or worse, has become a seismic event in American history. This episode explores how, since 2016 Race has emerged as perhaps the preeminent problem for Evangelicalism, to the point where we need to acknowledge that much of what we have called Evangelical Christianity is really better thought of as WHITE Christianity. Joining the show today is Tamara Johnson, who recently wrote a piece for The Witness titled "For Those Who Stay." In this essay, she recounts her own reasons for leaving her largely white church and returning to the traditions and social spaces of the Black Church. Johnson answers the following questions: "How did you find yourself in a largely white church and how did the events of 2016 affect you in that space?" "What is the scope and scale of this "Black Exodus?" "Why do white people, and not their black friends, bear the responsibility for educating themselves about structural racism?" "What role did Charlottesville play in your Exodus?" "How does abortion serve as a wedge issue when dealing with racial justice in the Church?" "Why the distinction between White Church and Black Church?" "How has MLK been misused?" "What is your advice to Black people who stay in White Churches?"
"For Those Who Stay"
"If You Love Me, Do Your Homework"
"A Quiet Exodus" - NY Times
"Pass the Mic" Podcast
"Truth's Table" Podcast
Cloak and Dagger on Hulu
James Cone's The Cross and the Lynching Tree
Michael Eric Dyson's Tears We Cannot Stop
Marvel Studios’ latest film, Black Panther, has been a blockbuster of the highest order. A primarily black film, it has torched the box office and has started a great conversation about race, politics, and representation in cinema. Joining Danny to discuss this film is Chris Maverick, a comics scholar who works with such questions. Hailed as a revolutionary film, just how radical are the film’s politics? Does this film, like other Marvel ventures, simply argue for a more pleasant status quo? How important is the representation of black people in this movie? Danny and Chris discuss all this and much more. How did Iron Man set the tone for the typical Marvel cinematic plot? Has Iron Man’s political stance basically set the political agenda for all the films that follow it? Does Black Panther subvert historical colonial narratives? This is a big, fun-filled episode. Join in on the conversation!
Washington Post Video about Representation and Black Panther
Invite to the Mount Aloysius Conference on College Teaching
Quasi Duo Fantasias: A Straussian Reading of Black Panther - by Zizek
Kaila Philo: Fear of a Black Universe
Christopher Lebron: Black Panther is not the Movie We Deserve
Adam Serwer: The Tragedy of Erik Killmonger
Chris Maverick’s Blog