In this episode, Danny is joined by Chris Burlingame to discuss the politics behind the adaptation of Bret Easton Ellis's American Psycho. The novel, which follows Wall Street serial killer Patrick Bateman, included Donald Trump as a central figure. Mary Harron's film adaptation, however, completely eliminates his presence. What motivated such a decision? Listen and find out about how the film adapts the novel in order to tackle issues of structural inequality, sexism, and white privilege. What can this film teach us about Trumpism today? Plus, NEW THEME MUSIC! Thanks to the Blind Revelators for providing us with our new theme song. Find their music here: https://theblindrevelators.bandcamp.com/
Special thanks to Andrew Burlingame for providing the cover art for this episode.
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A discussion about the all-time great Tarkovsky film Andrei Rublev. Learn about how Tarkovsky made a profoundly religious film in the Soviet system. How does this film reflect on the intersection between politics and religion? What special contributions to Christianity has the Orthodox tradition provided? Is Andrei Rublev the quintessential Christian Humanist film? C. Derick Varn returns for this enlightening discussion.
Has the Radical Left finished cannibalizing itself?
Protestants and Radicals (not so different).
A plug for Andrei Rublev as a Christian Humanist ideal.
Tarkovsky’s career: a religious filmmaker in the Soviet system.
The structure of Andrei Rublev the film.
A plug for Derek’s forthcoming book of poetry.
A brief history of the formation of the Russian state.
Listener question from Twitter-follower Joe McClure.
The specificities of Orthodox Christianity.
There are several versions of this film and Martin Scorsese is involved.
Tarkovsky’s philosophical ideas: Art exists within imperfection, Experience and knowledge must be gained individually, polished art inhibits personal experience, Learn to love solitude.
Andrei Rublev’s plot
The tradition of the jester in pre-Russia.
Theophanes the Greek and the passing down of religious tradition
The Passion instantiates in Russia
An encounter with pagans
The Orthodox discomfort with wrath and punishment
“Oh my God, he made this under Khrushchev!”
Using the atheist state to perpetuate the Gospel
The Last Judgement
Parallels between Andrei Rublev and Game of Thrones
The Holy Fool enters and becomes Rublev’s conscience
A Monk draws blood
Theophanes challenging theology
In the midst of art, theology through chaos
Salvation through the Holy Fool
Kiril’s broken return to God
Difference between Bergman and Tarkovsky
Bell-making as a transcendent act of faith through art
Making art as a God-given role
The return of the Holy Fool
Cut to color and the actual work of Andrei Rublev
Kierkegaard as philosophical grounding
Redemptive work of art
That balloon scene!
Humans are both divine and fallen
How do you film “faith?”
Derek’s boredom with Leftism
It’s that magical time of the year! Time for the annual Christian Humanist Radio Network Halloween Crossover. The Sectarian Review Podcast’s contribution features Katie Grubbs and Michial Farmer who join Danny to talk about the Universal classic The Wolf Man. Take a deep dive into the film’s story, background, and subtexts. Freud, Feminism, Class Struggle and more. Also, the team tackle questions about the film from listeners via Twitter. Plus, Danny makes an impassioned defense of the 2010 remake of the film.
Join Danny and C. Derrick Varn for an *in-depth* discussion of the the 1967 Soviet horror film, Viy (based on the Gogol short story). Danny and Derek talk about the cultural significance of Cossacks in Russian history, the Soviet film industry, Ideology, and Eastern Christianity. The film is freely available on YouTube if you want to watch beforehand, but this episode will tell you everything you ever wanted to know about Soviet movies where witches terrorize seminary students who don't believe in God.
Link to full film (subtitled)
Four perspectives about a film about four perspectives. Pretty meta, eh?
In this episode, Danny welcomes Todd Pedlar, Carter Stepper, and Michial Farmer for a discussion about Akira Kurosawa's groundbreaking 1950 film, Rashomon. Why is this film so revered in the history of cinema? How does Kurosawa's technical mastery contribute to the existential philosophical questions Rashomon poses? How does this film's famous exploration of subjectivity speak to our current "Post-Truth" moment? All this and a new intro!
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In this Godzilla-sized episode, Danny Anderson and Drew Van’tland are joined by Ed Simon to talk about the intersections between horror, religion, and ethics. This month’s Sectarians talk horror films, Nietzsche, H.P. Lovecraft, Flies, Babadooks, and, James Robertson’s The Testament of Gideon Mack. Also, Danny interviews Dr. Jamie McDaniel of Pittsburg State University about horror, liminality, and Disability Studies. Also listen for a couple of aural surprises!