Danny Anderson is joined by Popular Culture and Theology's Matthew Brake to discuss season 1 of Titans just in time for Season 2. Is there an ethical issue with taking a teenager-based comic and making it VERY ADULT? How does the show engage with questions of theology and community? What makes Batman's work so morally draining for Robin? All this and much more. In addition, learn about an upcoming conference, TheoCon, about popular culture and theology. PLUS, head over and subscribe on Patreon for some bonus conversation about copyright and much more.
Danny Anderson welcomes back Matthew Brake from Pop Culture and Theology for another discussion. This time, we explore the ways in which comics offer occasions to theologize, or think about God. The conversation breaks down into three basic parts. First, what are some ways in which religion has been represented in popular comics? Second, how do comics address religious concepts or motifs through metaphor (i.e. Superman as Christ-figure). Finally, what are some primary theological concepts that are explored through comics? Along the way, look for discussions about Frank Miller, Alan Moore, Neil Gaiman, Batman, the X-Men, eschatology and much much more.
Pop Culture and Theology
G. Willow Wilson
Frank Miller’s Holy Terror
Peter Enns’ Inspiration and Incarnation
X-Men God Loves Man Kills
A. David Lewis’s Graven Images: Religion in Comic Books and Graphic Novels
Alan Moore’s Saga of the Swamp Thing
Grant Morrison’s Animal Man
Neil Gaiman’s View from the Cheap Seats
Neil Gaiman’s Sandman
Mark Waid’s Kingdom Come
Carl Schmitt Four Chapters on the Concept of Sovereignty
Since its release last year, DC’s “Justice League” has been heavily maligned, with some critics going so far as to call it the worst superhero movie ever made. This show is meant to dispel that ridiculous claim. Joining Danny for this episode is Coyle Neal of the City of Man Podcast. Coyle suggested the show and Danny took him up on it, watching it twice in two days. Much to his surprise, Danny thought the movie was not only “not bad,” it was actually “quite good.” Why does this tale of Batman, Wonder Woman, the Flash, Cyborg, Aquaman, and a resurrected-Superman not connect with critics and audiences as much as Marvel’s Avengers-based universe? Certainly the residual hatred of Batman Vs. Superman had something to do with this consensus, but Danny has a different thesis: “Everyone loves Marvel and everyone hates DC right now.The outsized adulation for Infinity War is even more galling when paired against the snarky dismissal of Justice League. My theory is that people love what Marvel is doing because it is perfectly in sync with our current liberal democratic ideological state. Marvel is, in Gramsci’s (or is it Althusser's? Sorry it's been a while) terms, an ideological state apparatus, reflecting and perpetuating our shared values of equal rights for individuals and drone strikes for American military hegemony. DC, on the other hand is offering a decidedly pre-modern, even religious ideology. This is what the critics really hate about it.”
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